El Goodo – El Goodo

What I Think of When I Think of This Artist

The things I definitely know about this band are much more important than the things I barely know about this band. Emerging from the small but excellently-named town of Resolven, Wales in the mid-2000s, the quintet did not use last names. They did eventually reveal their surnames, and it turns out that three of them share the admittedly common “James.” And two of those Jameses are brothers, so this is a brothers band! They have released four albums in roughly a dozen years. They are friends with the Super Furry Animals. I don’t have any more information about the group. But I do know that they are fans of ’60s pop, favoring a jangly, hazy, ornate, lite-psychedelic sound, so that the nod to Big Star via their name is a bit misleading. At the same time, they also tip their hat to related bands from the ’80s and after.

What I Think of This Album

Nothing here is particularly original, but that is not the point. Not even close. El Goodo demonstrate a patent and steadfast dedication to ‘60s sounds and songcraft, as well as the ’80s and ’90s bands that updated those sounds, and their resolve in (yes!) doing so is admirable. This band knows what they love, and they are driven to celebrate it. This is an album of sunny harmonies, fulsome orchestration, and simple but engaging melodies. If that’s not for you, okay. At the barest minimum, you can play “spot the influence” and have a good time. 

For example, if the Jesus and Mary Chain had done a better and brighter (or at least, more ironic) job with the country leanings of Stoned and Dethroned, they would have created “If You Come Back.” More fundamentally, to the extent it is true that the Jesus and Mary Chain were, as someone once described, the Beach Boys crossed with the Velvet Underground, then “Honey” is the Jesus and Mary Chain crossed with the Beach Boys. That the title evokes JAMC’s iconic “Just Like Honey” cannot be an accident. Even less possibly happenstance is “Here It Comes,” which should have Lou Reed’s lawyers salivating, as it is pretty much “Heroin” with a different vocal melody and lyrics (the melody being reminiscent of Mercury Rev’s “Car Wash Hair,” instead). 

The Beach Boys passing a joint to the Byrds is what “If I Were a Song” sounds like, though I can also detect shades of Teenage Fanclub, particularly in the so-dumb-they’re-sweet-lyrics that Norman Blake specializes in (“If I was a song, I’d be about you, baby”). “Surreal Morning” apes Beachwood Sparks and maybe a little of the Waxwings with its pillowy, psychedelic country-rock. Bright and bouncy “Chalking the Lines” reminds me of nothing so much as Herman’s Hermits, again with hints of the Waxwings, augmented by brass and an experimental bridge.

The spaghetti western horns and bongos  of “I Saw Nothing” take you back to 1965, clutching the poncho of a laconic, anonymous drifter bent on revenge. The Mamas and the Papas could’ve recorded “What Went Wrong? (or: How I Learned to Stop Worrying and Love the Bomb)” but they would have had to have been very sad. Again, the clear reference to 1964 cinema in the title is a clue that the band knows exactly what they are doing.

Opener “Life Station” could be a lost Spacemen 3 track – narcotized, droney, blissful – though with a more delicate touch, as evinced by the (synthesized) woodwinds, at least until the bizarre, fractured ending. Spacemen 3 also influence “Silly Thoughts,” but this would be a Spacemen 3 more enamored with the Byrds than Suicide. 
The short “Esperanto Video” (what?) aspires to be an instrumental Pet Sounds outtake. “Stuck In the 60’s” is a little too candy-colored for me at the start, but this odd song about a time machine owes a lot to the spacier bands of Elephant 6; I love the reverby handclaps. “I Tried But I Failed” is a lullaby that is likewise reminiscent of Elf Power or Olivia Tremor Control.

The Best Thing About This Album

How it displays the band’s unabashed love of other bands.

Release Date

2006

The Cover Art

Neither good nor bad. I think the European release has different art.

Leave a Reply

Your email address will not be published. Required fields are marked *

Proudly powered by WordPress | Theme: Baskerville 2 by Anders Noren.

Up ↑