The Tyde – Twice

What I Think of When I Think of This Artist

I don’t remember if I learned about the Tyde or Beachwood Sparks first. Regardless, I ended up getting rid of that second Beachwood Sparks album (despite an excellent cameo by J Mascis on “Yer Selfish Ways”) and keeping my two Tyde albums. The Tyde originally consisted of three Beachwood Sparks members – bassist Brent Rademaker, guitarist Dave Scher, and Christopher Gunst (who played guitar with Beachwood Sparks but drums in the Tyde) – along with brother Darren Rademaker and his former spouse Ann Do, as well as guitarist Ben Knight. Gunst left after the first album and was replaced by Velvet Crush drummer Ric Menck, while Scher was demoted to guest by the second album. The first three Tyde albums, by the way, are titled Once, Twice, and Three’s Company. I only ever listened to the second and third ones.

What I Think of This Album

I like how California can be the home of hardcore punk like Black Flag and Fear and also the birthplace of laid back, surf-focused bands like the Tyde (to say nothing of other Golden State variants).

“Shortboard City” sounds like something the Flying Burrito Brothers would have come up with if you’d locked them in a room with the entire Jan and Dean discography for a week. Like the best songs on this album, it has the loose, raggedy feel of people who are playing music simply for the fun of it. The rueful, ruminative “A Loner” succeeds in large part due to Ann Do’s keyboards and Darren Rademaker’s laconic vocals.

I have a difficult time not thinking of Herman’s Hermits when I see song title “Henry VIII,” which is otherwise an uptempo, jangly slice of pop with sardonic, almost Lou Reed-ish vocals. “Go Ask Yer Dad” is a lush and snappy country-rock number (despite the new wave keyboards), while “Best Intentions” is a fatalistic but generous ballad about human frailty, combining country-rock with spacey atmospherics (not unlike Beachwood Sparks).

The band mixes a British indie sound with their country inclinations on “Crystal Canyons” (featuring nice organ work from Do). “Takes A Lot of Trying” is a prophetic title, as this annoying blues-rock distraction fails epically. “Memorable Moments” marries Rentals-keyboards to jangly guitars and a pulsing bass, with an appealing melody and Rademaker’s warm vocals.

There is a bitter undercurrent to ambivalent “being in a band” song “Blood Brothers,” which is gently brooding until Rademaker turns up the intensity towards the end with some emphatic emoting. The British influence arises again on shoegaze-inspired “New D,” which ends the album with droney panache.

The three recording engineers share a complicated history:  Anton Newcombe (Brian Jonestown Massacre) and Hunter Crowley both played with the Warlocks, while Rob Camranella/Campanella was also in the Brian Jonestown Massacre.

The Best Thing About This Album

The mix of country, surf, and British indie.

Release Date


The Cover Art

This works for me in a serious way.

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